“Come on, Nev, show us what’s in the box.”
“Go
away.” Once Lauffett had spread the word about his purchase, the entire office
was at him to display the porcelain tribute to the Sermon on the Mount. He
caught Phillips trying to pry the box open with a ruler. “The next person to
ask me about that box will have to buy it.” It did the trick. The men scampered
back to their workstations.
“Neville.
A word.” Crispin was standing in the doorway of his office. Once they made eye
contact, he went inside and waited.
He
braced himself. No doubt the Sarge would want to know what his visit had
achieved. He closed the door behind him.
“There’s
quite a hubbub around your purchase. I take it things didn’t go well with
Audrey.”
“I
may have underestimated her.”
“What
makes you say that?”
“The
damage I did to my credit card, for one.”
“What’s
the other thing?”
“She’s
so rude that it’s actually disarming. And her laugh is like something from a Scooby-Doo baddie. I didn’t expect
that.”
Crispin
began to shake.
“Sarge?
Everything all right?”
Get
a grip, man. “Yes. Just déjà vu. She sounds exactly like Serial Susie. Her
tracks were so well covered that I didn’t even suspect her at first.” It was by
fluke that he’d caught her in the act. Except he was the only one who knew
that.
“Well,
I did notice something.”
“Oh?”
“She
bragged about winning the Vincent. I remembered seeing a headline about a dead
Vincent judge in her dossier.”
“Good
work, Neville. What’s the next step?”
“Get
rid of that bloody porcelain nightmare.”
“Don’t
worry. Put it in as an expense. Label it as school fees.”
“School
fees?”
“Yes,
from the School of Life.”
“Ah.
Gotcha.”
“How
do we catch Audrey, Neville?”
“I’m
going to get the blueprints of her shop. There was an upper level and I don’t
know what it’s used for. Perhaps it could give us a clue.”
“I
hope you’re right.”
“The
curious thing about her is that she has no friends or family.”
“It’s
not that curious when you’re a psychopath.”
“I
suppose. Her victims have only been men so far.”
“What’s
the connection, do you think?”
“That
she feels hard done by in some way. The Vincent judge might have deprived her
of the accolade, for example.”
“And
the others?”
“I’ve
got Lauffett working on it, but I’m not sure he’ll get far. The man spends half
his time eating milk products and the other half in the men’s room.”
“I
don’t want to know. Keep digging and report back later today.”
The door opened and Simon Malachi began to shake.
He could see very little out of his left eye as the swelling had not yet gone
down. The sheet over his head did not protect him from the cold or heat, and no
matter how much he wriggled, he could not shake it off. His body was encased in
a Perspex tube and his hands were behind him, shoved through stocks that
clamped him in position. It was agony not being able feed himself or move,
except when she allowed it. Her noise of her boots ricocheted through the room.
The sheet was raised.
“Good
morning, Mr Malachi. Did you sleep well?”
His
response was kept from her by the gag in his mouth.
“I
thought I’d have a little chat with you before breakfast. And I’ve made you a
new tube. I think you’ll like it. There are holes along the sides for better
air flow.”
Simon’s
eyes widened and he shook his head.
“No?
You want breakfast first? All right.” Audrey pulled on his left arm until the
veins were exposed. She jabbed Simon with the needle and affixed the tape to
secure it. Next she fetched the IV stand and connected him.
“Bon
appétit. Now, while you’re enjoying that, let’s quickly run through the months
of August through to November 2000 when I was in my third year. I always loved
Spring on campus. There was so much inspiration to draw from for the second
semester practical tasks.” She stood near his good eye. “Except you didn’t see
that, did you?” Audrey pointed to the wall behind her. “Look at that, Mr
Malachi. Do you see how much talent that single sculpture showed? And you gave
me the lowest mark in the class.” The slide changed. “What about this one? My
take on The Last Judgement. You
called it mediocre. Do you remember that, Mr Malachi? Oh, don’t cry now. You
said tears were a waste of water when I came crying to you.”
Simon
tried to tell her he was sorry. He tried to explain that he had liked her work
but that his head of department was pushing for more relevant interpretations. His
words dammed against the gag and she showed him slide after slide of work he’d
snubbed in his attempt to score brownie points with his boss. If only he had
listened to his instinct when it told him not to go on a date with a former
student. But she’d sounded so star struck and his ego needed a balm after his
latest work got rejected by the Arts Board. They were calling him a has-been
and all he wanted was someone’s approval. The cost of getting it from Audrey
was more than he could bear. He closed his eyes to her presentation and tried
to picture himself somewhere else, somewhere safe.
“Look
at me, Mr Malachi. I have won the Vincent. And you? You’re nothing. You still
ply your trade as a lowly lecturer while people pay thousands to have something
that I made. They love me – the media listen to my expertise. Which is what you
should have done instead of trying to trample my talent. You sad, pathetic
man.”
Audrey
removed the IV and his blood dripped on to the floor. “That’s enough breakfast,
I think.” She pulled a tranquiliser gun from her waistband and shot him in the
neck. His body grew slack as she released the stops on the wheels of his
Perspex prison and pushed him towards the door.
The blueprints of Audrey’s shop didn’t show
anything out of the ordinary. There was a large studio on the first floor. It
seemed as though they had hit a dead end. Neville checked the clock on his
computer. Almost midnight. He decided to shut down and go home to sleep.
“Nev,
good, you’re still here.”
“Anton?
I thought you’d gone home.”
“Nope.
Took my tablet to the... Well, I found something while I was sitting there.”
“Can
it wait until tomorrow?”
“Nope
again. Audrey Valentine’s victims, well, suspected victims, share a common
trait.”
“I’m
not a mind-reader, Anton.”
“They
are people who were unsupportive of her career. The first was her fiancé Ben
Garland who, according to his Facebook feed, wanted her to stop playing with
clay and get a real job.” He held up the tablet to Neville. “See? He keeps
posting stuff and tagging her with messages like this one: ‘Audrey, maybe when
you’re done playing you could be a hot hostess at the Hamilton’s.’”
“What
else have you got? And keep that tablet at least half a metre away from me.”
“The
other guy was her art teacher from high school, Frank Coney. All the newspaper
articles I found speak about how he helped other artists launch their careers.
A kind word from him could take a fledgling into the stratosphere. Like he did
with this guy, Damien Wong.”
“Let
me guess. The judge of the Vincent...”
“Alfred
Frankel.”
“Yes,
him. So he didn’t support her nomination?”
“Not
even slightly. He supported the same woman as the bookies: Amelia Preston.”
“Do
you think her next victim is...”
“Simon
Malachi. Apparently he didn’t like her work when she was at university and made
an example of her the year after she left, telling students it was a classic
case of bad art. I found the video on YouTube.”
“How
do you know it’s her work that he’s referencing?”
“I
spent a long time reading the comments.”
“You
need to stop eating dairy.”
“I
can’t help it.”
“Where
is Malachi now?”
“Missing.
Last seen three days ago and according to his calendar – don’t ask me how I know
this – he had a dinner date with Audrey Valentine.”
“Get
the car.”
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